Task 1 (P1, M1, D1)
The single camera format gives the director more control over each shot. Also it can create long tracking shots which give the whole picture, which can't be done with a multiple camera set-up. There is an example of this in a scene of Kill Bill were the whole scene is shown in a single tracking shot. Another advantage of the single camera format is that showing the world through a single camera is more real and has a greater impact on an audience. Advantages of the mutliple camera format are that it is efficient, and also cheaper than using the single camera format. Also it saves time because each different shot and camera angle can be taken at the same time and edited later on.
Examples of televison shows which use the single camera format are; Ugly Betty, the office, scrubs and malcom in the middle. Many soap operas use the multiple camera format, and also sitcoms such as Everybody loves Raymond. The multiple camera format is used when filming live television because the cameras can be set up at different angles and positions, then the director can switch the feed from each camera to capture all the action. The multi-camera format is faster and less expensive than the single camera format, but this type of production gives the director less control over each shot.
http://en.wikipedia.org/wiki/Multiple-camera_setup
http://tviv.org/Single-camera
http://en.wikipedia.org/wiki/Single-camera_setup
Task 2 (P1, M1, D1)
A series is a television program which has a number of episode which fall under the same name and have multiple narratives within them, but each episode can also have a story within itself which ends at the end of the episode. For example, in doctor who each episode begins with a different disruption and the end of the episode, or occasionally over two episodes it is resolved. However it also has the ongoing narrative of the Doctor and how he transforms every time a new character plays him. The sitcom Friends, which is also a series is similar. It has the same characters in each episode and generally has a different story line introduced in each episode, however sometimes a story line is carried over more than one episode.
A serial has a narrative which carries over more than one episode. It relys on a continuing plot that unfolds episode by episode. They are usually shown in short installments at regular intervals. It is a one off drama which which generally unfolds over 2 to 4 episodes and is not continued. An example of a serial is wuthering heights. This was a period drama which aired over 2 one and a half episodes. It was based on the novel wuthering heights and over the 2 episodes it showed the complete series therefore is a serial drama.
A single drama is a one off complete story. An example of this is the award-winning drama Five minutes of heaven which was aired on BBC2. It was about two men who had to come to terms with there past if they are to face the future. It explores the legacy of violence in Northern Ireland and was 80 minutes long. It began in this one episode and had a closed ending, this is a prime example of a single drama.
http://en.wikipedia.org/wiki/Series
http://www.bbc.co.uk/programmes/b00jsz96
Task 3 (P1,M1,D1)
The narrative structure of a film or television program is important. A linear of sequential narrative is where the events that occur in the program are in chronological order, with a beginning, middle and end. Soaps generally have this structure giving us endless linear narratives. Another example of a linear narrative is Slumdog Millionaire. It is about a teen that grew up in the slums and becomes a contestant on the Indian version of who wants to be a millionaire. It has a linear narrative as the events are in chronological order. However it has some elements of a non-sequential narrative with the use of flashbacks, which show events from the teen’s life history. This is an example of where linear and non-linear narratives can function together.
Non-linear or non-sequential is where events are not shown in chronological order or when we see the same event from different points of view. An example of this is the TV series Lost. It begins with a linear narrative of the characters crashing on an island and working together to survive. As the series progressed, it started to have time travel in the narrative, which changes the narrative to non-sequential as it moves backwards and forwards through time. Flashbacks are a form of non-sequential narrative that involve details of the past being revealed before us on the screen. With Lost, the flash backs are a key to the shows success. It continuously shows flashbacks of previous events and tells the characters stories through these flashbacks. Also in one of the later series, it starts to show flash-forwards.
Films and TV series can have patterns within there narratives. Goal-orientated plots can dominate the main narrative of a story. For example in the film Taken it centres around the character, Bryan Mills goal to find his daughter who was kidnapped when on holiday in Paris. He has to find her before 72 hours has gone or he could lose her forever to trafficking. This is also a good example of a journey in a narrative. A journey in a narrative can be a physical journey or a metophorical journey. He goes through the physical journey of finding his daughter, but also goes through an emotional journey because he realises the mistakes he has made with his daughter so desperately wants to find her and put things right. . Search or investigation narratives are usually crime dramas for example CSI. Climaxes in films are usually the most important events in the film, showing the last acts of the main characters.
The range of information is important in the narrative. If it is an unrestricted narrative then the audience sees and hears everything and often they already know the ending. For example in the film Pearl Harbour, because it was a historical event the audience already knows what’s going to happen. Also as the film progresses, the audience can see that the Japanese are planning an attack on pearl harbour, but the main characters are unaware. If it is a restricted narrative then the audience are introduced to information and plot at the same time as the characters.
Propp’s theory is that every narrative has to have a Hero, a Helper, a Villain and a Damsel-in-distress. This is present in the majority of films and TV dramas, which are made. An example which supports Propp’s theory is the film Pirates of the Caribbean – the curse of the black pearl. In this film William Turner (the hero) wants to save the women he loves, Elizabeth swan (the damsel-in-distress) who has been kidnapped by the pirate Captain Barbossa (the villain). He does this with the help of Jack Sparrow (the helper).
Todorov's theory is that there are five stages the narrative can progress through. These are: A state of equilibrium, A disruption of that of that order, A recognition that the disorder has occurred, An attempt to repair the damage and A return or restoration of a new equilibrium. In simpler terms this theory is basically that every narrative needs an equilibrium, a disruption and a resolution. We seek a beginning, middle and end in everything, however it doesn't necessarily have to appear in that order.
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgUajQkcDWRKmci8PY8AYvewGrBbTQ30rkSbKjFvWYPdpKfFfBeecWVkM2-220a779YBFZQAzF7E2BNG13WxV1CDlLDDaxcQIKW27UT6-borbOIbm2E8c9B9S_5Cj8FNWLLzc7cRp-tIpaA/s1600-h/Todorovs+theory+of+narrative.jpg http://www.imdb.com/title/tt1010048/
Task 4 (P1,M1,D1)
Se7en
This clip is a remake of a scene from the film Se7en and has a variety of camera shots. The scene begins with a tracking shot of a young girl walking through a car park, and is also an extreme long shot which sets the scene for the audience. Then it quickly switches to a long shot of two men getting out of a car and walking towards what appears to be were the girl is. It then switches back to a tracking shot of the girl walking. After this there is an extreme close up of half of her face, and she has tears in her eyes which adds intensity to the shot. The lighting in these shots is natural lighting which makes the area in which the character is, dark which connotes that the character is dark and mysterious. Also the sound is diegetic, with sounds of the surrounding area e.g. footsteps, cars and trains.
The scene moves on to a close up of the characters feet, were it appears that she is about to step off the edge onto the train track. During this shot, there is the diegetic sound of footsteps coming towards the character. The audience can see the feet of the two mean in this shot, then it moves to a medium long shot of all three characters which shows the interaction of the characters as the dialect begins. The two men ask Joan, the main character who she is, which leads to her kneeling down, then there is a close up of her face. This immediately turns into a flashback.
The flashback is shown in grey to signify to the audience that it is something that previously happened. Also the camera is disorientated and the shot is slightly out of focus which adds to the effect that it is a flashback. The scene continuously switches back and forth from the flashback to the current situation while the narrative of who Joan is and what she has done unfolds.
Towards the end of the scene, there is a medium close of Joan and one of the men, and non-diegetic music begins which conveys that something is about to happen as it adds to the intensity of the scene. Then, along with the music there is the sound of a train in the distance. The shot moves to a close up of Joans face, with the two men in the background. She then steps onto the train track, and the music becomes louder and more intense. The camera advances and becomes shaky which implies that there is oncoming danger, and the shot becomes dark and out of focus. The scene ends with the sound of the train getting louder, then it ends which suggests that she is about to get hit by the train.
Task 5 (P1, M1, D1)
In the early days of media and television, it was extremely different in comparison to now. 20 years ago there was no Internet or Sky. For example in the USA there were only 3 main television networks throughout the television industry at this time. Also there would be on average, one television per household, which made watching television a social event between the family and the community, and everyone in the house would sit down together and watch a program.
Every type of media including radio and newspapers has a target audience. However, in the early years of television a single program would attract a wider, broader audience than today. For example in 1992, an episode of the sitcom Only Fools and Horses had viewing figures of 20.1 million, whereas now, an episode of X factor, which is one of the most popular shows on British TV today, only has viewing figures of around 10 million.
"Television can no longer rely on mass audiences" – Rupert Murdoch
Now there is a variety of ways in which audiences can view programs. Television networks such as Sky and Virgin media have a wide variety of TV channels which you can watch. This is very different in comparison to when there were only two channels to choose from. Because of the variety of channels, it means that television programs no longer generate mass audiences because there is something for every taste.
"You are growing up in a digital world where you send emails on you cellphone" - "this is what i mean by creative destruction, everyday new technologies is tearing down old ways of doing business" – Rupert Murdoch
Not only is there more choice, but you can now watch your favorite programs on the internet on websites such as Hulu.com. This is why a single program doesn’t generate mass audiences, because different programs appeal to different target audiences which means TV is no longer a social event.
Task 6 (P1, M1, D1)
For our production there will be three characters involved (“Little red riding hood”, hooligan 1 and hooligan 2). Also we will have at least 3 people monitoring the camera, props and sound equipment at all times. We may also have an extra person for additional help. The props we will use basic everyday items e.g. bag, mug, however for the introductory scene we went to the drama department as we needed old-fashioned props. From here we will use a red poncho for “red riding hood’ and also a basket to connote the fairytale image.
· AlAll footage will be shot in high resolution DV
The sound throughout the film will be non-diegetic in the form of music. The music will change in each scene to emphasize the mood in which we portray. However at points there will be diegetic sounds, overriding the music. Near the beginning the music will jump from classical to modern, which juxtaposes the modern world with the fairy tale world.
There will be integration of flashbacks of the character looking back at when she was attacked. They will be shown throughout the film in 3-4 second intervals.
The faces of the hooded characters (hooligans) which attack the main character will not be distinctly shown, to add to the sinister atmosphere and emphasize the vulnerability of the victim. There will also be close ups of the victims face, to show her emotions as she looks back on the event.
Proposed Sequence Sample of Events:
Th introductory scene will be an establishing the fairytale character "red riding hood" skipping through a forest, her clothing will also match the fairytale image. We are going to use the fairytale theme at the beginning to relate to the audience. Also there will be non-diegetic classical music, to add to the fairytale effect. These aspects are also to emphasize the cheerful mood of the character at this point and show that she is unaware of the situation she is about to be faced with.
The following scene will cut to the character appearing through the trees into a more open space, wearing modern clothes in contrast to what she was previously wearing. There will be modern upbeat music accompanying this to portray that the film has now moved away from the fairytale image into reality.
In the next scene, the character will be walking through the woods, when she gets attacked by two hooligans. This will be shown in slow motion and black and white to emphasize the seriousness of the situation and draw the audience into the drama of the situation. Also the music changes from a modern, upbeat sound, to a classical, dramatic instrumental.
During the scene of the attack, there will be jump cuts of the lead character sitting in her home, as she remembers the event. She will be seeing the event in the form of flashbacks. There will be close ups of her face to show her vulnerability and emotions as she looks back on the incident.
The next scene will begin with a point of view shot of someone moving toward the house were the main character is, the audience will know this, as the character will be seen through the window of the house. This will add drama to the seen as the audience will not know who is walking towards the house or why. There will be diegetic sounds throughout this scene.
The final scene will begin with a medium shot of the main character in her house, and she walks out of the room. The window in which the audience previously saw from the outside will be visible in this shot. After the character has walked out of the room, the faces of the hooligans will appear in the window. Then the camera will zoom into an extreme close up of one of the hooligans faces. Then it will fade to black. This is where the film will end.
D1 Critical evaluations of single camera productions are fluent and arguments are supported using elucidated examples and the correct subject terminology.
Targets:
I am being picky but can you mention the lighting in greater detail in task 4.
Otherwise a superb unit so far, well constructed, sophisticated analysis and attention to detail. You have really improved over the last few months and your command of the appropriate language is superb. Well done.
Unit 21:
Please see previous targets and if acted upon the following mark will apply…
Distinction….
D1 Critical evaluations of single camera productions are fluent and arguments are supported using elucidated examples and the correct subject terminology.
D2 Single camera production planned to a quality that reflects a near-professional standard, showing creativity and flair. Work has been carried out independently and reflects professional expectations.
D3 Within the production there is evidence that the technical quality reflects near professional standards, taking in to account the equipment available. The production shows creativity and flair and the student has shown great independence in striving to meet professional expectations.
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